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The Missa Se la face ay pale uses the tenor of Dufay’s own chanson as its structural cantus firmus. The distribution of the phrases of this tenor throughout the. Dufay Missa Se La Face Ay Pale – Kyrie & Gloria The Hilliard Ensemble full. Composer: Guillaume Dufay was born in Cambrai, France and became one of the. Instruments: A cappella. Published: Description: This chanson is the source of the cantus firmus for Missa Se la face ay pale. External websites.

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Lamb of God, you take away at sins of the world, have mercy on us. James Gibb submitted Et exspecto resurrectionem mortuorum. If I have a heavy load of sorrow to carry, it’s that this love is painful for fafe to bear. Views Read View source View history.

For to please oneself she will not consent; only her wishes may one obey. Missa Se la face ay pale. Se la face ay pale Composer: The Golden Age of the European Polyphony, This creates not only a broad framework for forward motion in general, but also a sense of real excitement and cumulative momentum towards the end of each of the two longer movements.

These two movements, thus, become a pair of isorhythmic motets of equal nissa, with identical trajectories. Transposed Edition available at stcpress. Romantic Evening Sex All Themes.

For our sake he was crucified: This very motto acknowledges the composer’s debt to English concepts, as its melodic contour closely parodies the motto opening to the famous English Caput Mass.


If, as seems possible, it came into existence to celebrate a grand public event, perhaps a dynastic wedding, then there could be no more thought-provoking demonstration of the mutually interdependent relations of the transient requirements of social culture and the universal purposes and beauties of art.

Genitum, non factum, consubstantialem Patri: By the power of the Holy Spirit he became incarnate of the virgin Mary: God from God, light from light, true God from true God. Holy, holy, holy, Lord God of fce and might.

Dufay creates further audible connections across the mass by means of a motto opening: However, the fact that the mass is based off of a love song was not common for this time period.

This was what may be called revolutionary and became more and more popular throughout the rennaisance period. The chanson tenor melody, divided into three phrases and sung in the tenor voice of the Mass throughout, provides the framework for each movement dace the Mass.

Se la face ay pale (Guillaume Dufay)

Guillaume Dufay Number of voices: The cantus firmus mass could be made up of a pre-existing chant or secular song. And since she has such power, without her I cannot. Eternally begotten of the Father. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

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This particular composition by Dufay fits into the early Renaissance style for several reasons. Because each style has its own formatting nuances that pqle over time and not all information is available for every reference entry or article, Encyclopedia.


He later worked in the Cambrai Cathedral, affecting the types of compositions he produced. From loyal love for her I cannot keep myself.

I sought to be unwilling to suffer; without her I cannot. Dufay ‘s Missa se la face ay pale most likely is the earliest surviving mass setting to do both. In the Kyrie, Sanctus, and Agnus Dei, this cantus firmus is given once over the course of each movement, with duo sections punctuating the structure; the “wordier” movements Gloria and Credo give the tenor melody three times each.

So she can truly know, the fair one to whom I belong, that I cannot have any joy without her.

I believe in one holy, catholic and apostolic Church. Streams Videos All Posts.

Missa Se la face ay pale – Hyperion Records – CDs, MP3 and Lossless downloads

Crucifixus etiam pro nobis: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Cum Sancto Spiritu in gloria Dei Patris. The basis of the piece is the previously discussed polyphonic ballade, a secular love song, which was common for cyclic masses in the early Renaissance. Guillaume Dufay composed the ballade Se la face ay pale in the s, perhaps for a Savoy wedding in Modern Language Association http: